Mamma Mia Here We Go Again 4k Blu Ray

October 21st, 2018 by Brandon Peters

Mamma Mia! Here We Go Again feels somewhat of a silent assassinator from this summer's box role. The film took in almost $125 million domestically and almost $450 meg worldwide. Until Crazy Rich Asians, the moving-picture show had a firm spot in the Superlative x. Its almost like its predecessor, which was actually somewhat of a phenomenon back in 2008. Just, if I told you it made more than coin globally than Iron Man, you'd think I was crazy. That'due south the truth though. Why did they do a sequel? Look how big that first film was. They earned it and plainly there were people there for it. Ten years after probably brought some fondness merely I experience like had they done it within iii years of the first information technology might've been a bit bigger. Whatever, whatsoever. This sequel was still a big deal. Large plenty that if they'd want to brand a trilogy, the audience is probably there. Though, I think this picture show serves more than as a dainty encore to the fantastic concert you saw earlier. You tin can option up this 2d album/remix album/original demos 4K Ultra-Hd Blu-ray when it arrives on October 23^rd from Universal!

Flick

In 1979 immature Donna, Tanya and Rose graduate from Oxford Academy – leaving Donna complimentary to embark on a series of adventures throughout Europe. On her journeys, she makes the acquaintances of Harry, Bill and Sam – the latter whom she falls in love with, but he's also the homo who breaks her heart. In the present twenty-four hours, Donna's significant daughter, Sophie, dreams of renovating a taverna while reuniting with her mother's onetime friends and boyfriends on the Greek isle of Kalokairi.

Musical sequels aren't a route traveled by many. Typically its one and done, but when there'southward one that really catches fire with popular culture, they'll motion forward and requite it endeavor. You'll get your Grease 2 or even Shock Treatment. And if they have something in common, its that they fall very brusque of what came earlier and are either forgotten quickly or get the barrel of some jokes. Mamma Mia!'s stage show never had a sequel and one hadn't been idea of until the big fourth dimension box office performance of the original moving-picture show. They'd exist heading into uncharted territory. Luckily, since the story is fueled past the music of popular supergroup ABBA, the music had already been written and could serve equally a helpful guide.

With a 2d story, they decided to follow the The Godfather Part Ii approach in telling both a sequel and a prequel to the original story. Sadly, Meryl Steep'southward Donna, part of our drive and calorie-free in the original pic, is deceased during the present day story and our characters are brought back together in celebration of her daughter restoring a tavern that was a place that inspired her to stay on the island in her youth. During that we wink back to the events of her and her beaus that was mentioned upon in the original story. What comes around with it is satisfying enough, just unlike The Godfather Office 2 feels every bit if our the characters portrayed past the actors we remember in nowadays mean solar day are sort of stagnant and given non much to do, while their younger counterparts who we are not familiar with travel around and become into exciting adventures.  One takes place over a summertime and the other is going over a period of a 24-hour interval or hours.

Our younger iterations are pretty fun and jovial, but its still nothing like watching Pierce Brosnan, Stellan Skaarsgard and Colin Firth wander the frame and belt out ABBA musical numbers you'd never have expected them to do in their career. These immature guys feel more similar they were made for it. Nevertheless, the fellow who plays the young Harry does pull of a dynamite showstopping number with Waterloo. When it comes to the immature Dynamos, these gals seems to have truly captured the spirit of their older counterparts to the degree with which you lot really feel like you've traveled back in time and are seeing an actual video of them. They both look and act appropriately.

I've saved Lily James her own paragraph here because she's fantastic in this movie and completely drives information technology all dwelling house. It's a bummer that Meryl Streep isn't more than involved with this movie and her older version of the character was essentially written out, only James volition make you lot forget almost that almost instantly (Or every time we cut back to her arc). She's equally the essence of Donna while carving out her own piece of the pie herself. And she is killer in the musical numbers with which she is given the most (And even had one cut from the film). Quite frankly, much of the prequel storyline I wasn't on board with because I felt I got the gist of what happened in the first motion picture and this was merely the literal visual estimation of that. Merely, Miss James completely made me not care and invested me into all of information technology with her outstanding radiant charisma displayed on screen. She agrees to be the sole reason to see the pic.

The narrative surely is both a sequel and a prequel, but the film feels like an encore performance. Our band left the stage after the last film and we were so ecstatic and chanting "Ane more song", so the cast has come out and given united states some additional numbers before they pack it up. There are some other ABBA songs added to this musical, but many are new performances and interpretations of popular numbers from the last film. So, you're getting more than of the hits again. In some instances, information technology is sort of neat every bit you see where an action, a number, a human relationship, a "vocal" was formed in the past to go what it was in the original pic. How a vocal meant something completely different in the 1970s than it did dorsum in 2008 (Or when the first film was set). This clever re-usage not only feels information technology informs characters simply speaks somewhat to the power of music itself over generations with youth discovering older music or finding things through a modernistic cover. Maybe that's a deeper dive than intended, but its surely there in the moving-picture show if you want to take that estimation.

Mamma Mia! Hither We Go Again surely goes…again, revisiting many of the songs from the first film/stage production and showcasing them in a new light. Much of what goes on hither was given to us over some colorful exposition in the showtime moving-picture show and now we go to run into the events unfold ourselves and maybe in a way, see where the song and dance numbers were inspired from in the original story. While never quite getting to the highs of the original, this is not a criminal offence, only a well-earned and deserved victory lap, worthy of being a follow upward to what many consider a masterpiece.

Video

Encoding: HEVC / H.265

Resolution: 4K (2160p)

Aspect Ratio: 2.40:1

Layers: BD-66

Clarity/Detail:  Mamma Mia! Here Nosotros Become Again was mastered with a 2K digital intermediate, making its 4K Ultra-Hard disk drive Blu-ray transfer an upscale. Notwithstanding that may get a fanboy in their pissy pants, this films looks absolutely gorgeous on the format. Tropical paradises are an easy lay for the 4K format, merely this one nonetheless caput above and across that with vibrant, cute colors that pop and overnice natural blacks that fill in quite rich looking shadows. It's a precipitous, gazing and crisp image that jumps right off the screen with very distinct particular and texture. Toss out the discussion upscale as a sin when information technology comes to something like this, equally no matter, it looks excellent and if you didn't know, you wouldn't care. Its just a label and text, permit the motion picture quality do the bodily telling.

Depth:Spaciousness comes with ease in this image. Backdrops look pushed back and three dimensional in their presentation. Photographic camera movements sweep around smoothly and manage to produce some breathtaking looks at the gorgeous tropical scenery. Movements await very natural and cinematic. No issues occur at all with blurring or jittering when it comes to a fleck more rapid or large grouping choreography.

Black Levels: Blacks hang naturally and craft some terrific shadow in the picture. Much of this motion-picture show is quite well lit. The nighttime scenes also carry some beauty to them while existence able to retain good shade and holding on to all details nowadays. Pilus follicles, clothing and surfaces that are blackness or dark in color have many discernible, well saturated tones that continue the details coming through very strong.

Color Reproduction:  With a vivid picture like this, colors flare-up naturally off the screen in a 4K Ultra-Hd epitome. Reds, greens, blues, purples, you name it. They expect lovely and pop correct off the screen. The HDR comes into luscious outcome, culminating in some skilful candlelight, window lighting and then putting on a fantastic show when some fireworks begin popping upwards in the night heaven. Speaking of dark, during the last sequences of the pic which are set in the evening, things really start to roar out of the screen every bit the color showcase even more beauty and ability to glow naturally.

Flesh Tones:  Skin tones feature a little warmer tone to them and keep a abiding look even in the back and forth between the 1970s and nowadays day. Facial features similar wrinkles, make-upwardly brush lines, lip texture, stubble and more come through articulate as day. It even manages to make the ageless wonder Pierce Brosnan wait a little old in a few closeups.

Noise/Artifacts: Clean

Audio

Audio Format(southward): English Dolby Atmos, Spanish 7.1 Dolby Digital, French 7. i Dolby Digital

Subtitles: English language SDH, Spanish, French

Dynamics: Mamma Mia! Here We Go Again comes with a rich, gratis flying Atmos track that'll bring the stage product audio right to your viewing area. No speaker goes unnoticed in this well thought out mix that non but has the speakers given individual tasks or helping to move something around the room, they all can act as one to really give a musical number a big jolt. This mix has some very fun moments utilizes the ceiling speaker capabilities as well. For what the expectations of this moving picture should be, and how they evangelize, you lot're getting a top notch functioning and one of the best on the format.

Height: Bikes riding over camera, birds, debris falling, rain, singing and many other petty trinkets of sounds are well thought out and executed overhead. I particularly loved the motion of a tempest that goes over caput and you lot almost feel the wind bravado the drops over toward the right then hearing them balance dorsum toward the left again.

Depression Frequency Extension:  Much of what the subwoofer bumps is in the bass and drums of the music, but there are some moments, like waves hitting or the staircase collapsing that provide some good, deep bumping and rumbling.

Surround Audio Presentation:  This mix takes good care in bringing environments to life by making sure all surrounding speakers are both given something to exercise and are aware of the 360 degree environment around them. They besides work together to put together some wonderful rolling movements and also build the concert, arena-filling fullness of the music numbers to flare-up a room into vocal and dance.

Dialogue Reproduction:  Vocals are clear and well-baked, with fantastic attending to diction. The transition from dialogue to apparently ADR'd singing is not very drastic and pretty close to natural. Said singing is presented in expert dynamic way and is never overbearing and both part of the instrumental and the scene while at the aforementioned time clearly taking the spotlight in the mix.

Extras

Mamma Mia! Here Nosotros Get Again comes with the standard Blu-ray edition and a digital copy of the picture.

Audio Commentary

• With Manager/Screenplay Writer Ol Parker
• With Producer Judy Craymer

Sing-A-Long Mode

Deleted/Extended Songs And Scenes with Option Commentary past Ol Parker

• Deleted Vocal Functioning: "I Wonder" (HD, 3:04)
• Extended Song Performance: "The Name Of The Game" (HD, 3:xiii)
• Extended Song Performance: "Knowing Me, Knowing You" (Hard disk drive, 2:41)
• Deleted Scene: Tahini (Hd, 1:38)

High Jinks (HD, 1:19) – A montage with just music and a few comedic $.25 that seemingly didn't go far into the picture.

Enhanced Sing-Alongs (HD, 46:37) – The power to straight access on an individual runway basis from the Sing-A-Long version of the pic.

• Thank You For The Music
• When I Kissed The Teacher
• Ane Of United states
• Waterloo
• O.S.
• Why Did It Have To Be Me?
• I Take A Dream
• Kisses Of Burn
• Adante, Adante
• The Name Of The Game
• Knowing Me, Knowing You lot
• Mamma Mia
• Affections Eyes
• Dancing Queen
• I've Been Waiting For You
• Fernando
• My Beloved, My Life
• Super Trouper

The Story (Hd, v:33) – A quick piece (45 seconds of which are stop credits) that praises Judy Craymer to open up then sits with her as she describes her journeying to bring the Abba songs to life on phase so two the screen. It turns toward the process of taking the "Godfather Part II" arroyo to the sequel.

Mamma Mia! Reunited (Hard disk, iii:33) – Anybody talks how much fun it was to get the cast dorsum together, but with the worry of not tarnishing the memory of what they did before.

Playing Donna (HD, 2:28) – Meryl Streep and Lily James discuss playing the character of Donna and crafting immature Donna for this pic.

Sophie'southward Story (Hard disk drive, 3:thirty) – Focuses on Amanda Seyfried reprising the part subsequently 10 years and where her grapheme has come in x years.

Meeting Cher (HD, 3:43) – "I simply wrote this function for ane person. It had to be her." This featurette focuses on Cher's involvement in the film and her love for the original stage production. They also showcase how in awe the cast and crew were with her "James Bond was waiting in line for his plow to take a motion picture with Cher!"

Costumes And The Dynamos (HD, four:49) – This piece goes over the costuming styling and bringing the late 1970s to life in the young Donna side of the story.

Choreographing Mamma Mia! Here We Get Over again (Hard disk drive, 7:25) – This piece shows the appreciation of choreographer Anthony Van Laast and his work on the sequel in coming up with the dances from scratch not having the accommodation crutch similar the beginning one did.

Cast Meets Cast – The two members of The Dynamos sit downwards with their younger counterparts and discuss the character.

• Tanya Meets Tanya (Hd, 3:10)
• Rosie Mets Rosie (Hard disk, three:15)

Curtain Call (HD, three:59) – "We're closing the testify with Super Trouper folks." Everyone in the motion-picture show talks about the incredible moment of having the full cast together for a big number at the end of the film with a flake more up tempo and new introduction for the vocal "Super Trouper".

Dancing Queen: Anatomy Of A Scene (HD, 3:26) – "Y'all hear the music to Dancing Queen, y'all just gotta allow it rip." This featurette discusses the new big number for Dancing Queen in the sequel and the difficulty of choreographing people on boats.

Bandage Chats – The new cast members playing the younger iterations discuss their preparations and challenges of singing and bringing it to life.

• Dynamo Chit-Conversation (HD, ii:42)
• Dad Chat (HD, ii:19)

Performing For Legends (HD, two:46) – This one discusses recording the music of ABBA for the film and working in the studio to lay down the tracks.

Course Of '79 (HD, 3:48) – Focuses on capturing the essence of the characters in their youthful interpretations.

TODAY Interview With Cher & Judy Craymer (HD, 4:34) – Kathie Lee interviews the iconic singer and producer of the film.

Summary

Mamma Mia! Here Nosotros Get is a sequel of encore proportions, bringing our favorites out on stage for simply "One more than vocal" in a moving-picture show fluffy, fun and conveying much of the energy present in the start. Universals 4K Ultra-HD Blu-ray presentation provides us with a "dynamo" performance in both visuals and audio, hitting the top tier of what the format can exercise at this phase in the game. At that place is an pant-load of extras, all of which are short and EPK'ish, but deport over the fun and spirit of the pic. If you lot any sort of like the showtime ane or are looking for a top notch presentation on 4K Ultra-HD, choice up Mamma Mia! Here We Go Again.

Brandon is the host, producer, author and editor of The Brandon Peters Show (thebrandonpetersshow.com) on the Artistic Zombie Studios Network. At Why So Blu he is a Writer/Reviewer. Brandon is a lifelong obsessive flick nerd. Equally eager to educate in the earth of pic as I am to learn. An gorging lover of horror, schlock and trash. You can likewise find older essays on his blog Naptown Nerd (naptownnerd.blogspot.com).

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Source: https://whysoblu.com/mamma-mia-go-4k-uhd-blu-ray-review/

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